Richard Gale

 
 

(1998) Assistant Professor of Theatre, Hutchins School of Liberal Studies; (1996) Ph.D. in Theatre from the University of Minnesota; (1988) M.F.A. in Playwriting from the University of California at San Diego; (1985) M.A. in Drama from San Jose State University; (1984) B.A. in Liberal Studies from San Jose State University

For years I have been obsessed with place and motion; the ways in which landscapes change and are changed by identity and perspective. A wanderer by nature, I am a westerner by choice and temperament, a Californian by upbringing if not by birth, and a Bay Area exile who has finally returned home. I'm a theatre practitioner (playwriting and dramaturgy) and historian (renaissance-restoration Europe, 20th century American), with an interest in the performance of community and the environment. But most of all I think of myself as a teacher &endash; which is why I am so happy to be here at the Hutchins School, where teaching is what matters most.

I came to SSU from the Theatre Department at Bowling Green State University in northwest Ohio, where I taught graduate and undergraduate courses in theatre history, script analysis, playwriting, pedagogy and more. I also wrote a couple shows and worked as dramaturg for a few productions. Before that I was active in the University of Minnesota production program, taught writing to Midwestern undergraduates, and served as training coordinator for over 100 new composition instructors during the course of four years. Teacher training has been part of my world since the 80s, and I've trained Theatre graduate teaching assistants at BGSU, composition instructors and biology teaching assistants at U of MN, and junior faculty in virtually every discipline for the Center for Teaching Development at UCSD.

My scholarship centers on questions of identity, issues of perception, and modes of performance. I have written on theatre of the 20th century American West and 16th -18th century Scotland, and continue to be interested in the way history and society and culture and imagination combine to construct theatrical production. In addition, I am interested in the ways in which theatre connects with and influences other disciplines (especially education), how theatre might prove useful in the re-visioning of social relationships (specifically our awareness of and encounters with the environment, and the articulation of oppression in pursuit of social justice), and how theatre provides a vocabulary and craft base for training in the sciences (especially biology). I am involved in a wide variety of professional associations and activities. I belong to the American Studies Association, Association for Theatre in Higher Education, California American Studies Association, Dramatists Guild, Literary Managers and Dramaturgs of America, Modern Language Association, Pedagogy and Theatre of the Oppressed, Popular Culture Association, Vernacular Architecture Forum, and Western History Association.

In the Spring of 2000 I was chosen by the Carnegie Foundation for the Advancement of Teaching as a Pew National Fellowship Program Carnegie Scholar. My project involves work on the use of portfolio assessment as an interdisciplinary strategy for student empowerment and student ownership of both the processes and products of education &endash; an approach which has been championed by the Hutchins Program since 1990. The central focus of my project is on the ways in which ongoing portfolio assessment, at the course and program levels, can be most effectively envisioned not only as an external evaluation tool, but as an internal and self-reflexive learning strategy. I am also looking forward to working as a Carnegie Fellow on two projects: the first, in conjunction with the Carnegie Academy for the Scholarship of Teaching and Learning, centers on the training of K-12 teachers; the second involves a re-consideration and re-visioning of the meanings and methods of the liberal arts in the twenty-first century. All of which fits perfectly into my commitment to teaching and learning and awareness and change.

Augusto Boal once wrote that "theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it." Barry Lopez wrote that, "everything is held together with stories, stories and compassion." Hopefully, in my work here at the Hutchins School and beyond, I can help my students understand and use the stories they encounter to build a better future based on hope and compassion.

Although I will always miss winter camping along the shores of Lake Superior and fall canoeing in the Boundary Waters, I find great joy in summer backpacking in the Sierras and spring rafting on the rivers of the West. It's been a long, dusty road … but it is good to be home.

r.g.

Richard Gale
Assistant Professor of Theatre
Hutchins School of Liberal Studies

Sonoma State University
1801 East Cotati Avenue
Rohnert Park, CA 94928-3609

707 - 664 - 3182 [office]
707 - 664 - 4389 [fax]
gale@sonoma.edu [e-mail]

 

 

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