| LIBS
302: INTRODUCTION TO LIBERAL STUDIES (3 units) |
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An interdisciplinary 'gateway course' examining the meaning of a liberal education, emphasizing seminar skills, oral and written communication, and introducing the Hutchins Portfolio. SUCCESSFUL COMPLETION OF LIBS
302 IS REQUIRED TO CONTINUE
IN THE HUTCHINS PROGRAM. Students
earning a gradelower than a C will
not be allowed to continue in Hutchins. [top]
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| LIBS
304: WE HOLD THESE TRUTHS (3 units) |
This first course in a two-semester sequence (304 & 308),
is designed to examine the fundamental beliefs, assumptions,
and "self-evident" truths that serve as
the foundation for American culture, and then to
consider those truths in light of challenges provided
by multicultural perspectives. [top] |
| LIBS
312: SCHOOLS IN AMERICAN SOCIETY (3 units) |
This course is an interdisciplinary
examination of the American educational system. The
course reviews the history of American schooling,
philosophical issues that continue to shape its foundations,
the effect of ethnicity, gender, class and disability
on it, and the ways in which curriculum affects it.
Appropriate readings and papers will explore these
areas. In addition, students will perform 45
hours as volunteers in public school settings. This
will allow students to complete their volunteer prerequisite
requirement for the School of Education. Students
will share their volunteering experiences with
the class. [top] |
| LIBS
327: LITERACY,LANGUAGE AND PEDAGOGY
(3 units) |
This course for pre-credential multiple subject students looks at the importance of literacy and language arts in the contemporary world, including the value of wiriting and literature in the classroom, as well as the significance of literacy as a broader educational and social issue. Students will develop a pedagogy of grammar, examine the use of literature and the written word in the classroom, and create and teach a classroom grammar lesson. [top] |
| LIBS
342: HUTCHINS COMMUNITY ART SHOW PREPARATION (2 Units) |
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This course will give students a forum to create a Hutchins Community Art Showing. During class time, students will choose the dates and venue for the art showing, secure the necessary venue, publicize the event, create a call for entries, process the entries, decide which entries will be shown, hang show, plan and conduct reception, take down show. [top]
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| LIBS
402: SENIOR SYNTHESIS (4 units) |
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A capstone course required for the Hutchins major. Drawing on the papers collected for his or her portfolio, the student prepares a major paper and a Senior Project synthesizing aspects of that individual’s own intellectual development. Each student makes an oral presentation of his or her project at the end of the semester. Must be taken in the student’s final semester in the Major. [top]
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| LIBS
403: SENIOR SYNTHESIS - STUDY AWAY (4 units) |
A capstone course required for the Hutchins major. Drawing on the papers collected for his or her portfolio, the student prepares a major paper synthesizing aspects of that individual’s own intellectual development. This is done in a study away situation. Also available for students choosing a minor in Hutchins. [top]
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| LIBS
410: INDEPENDENT STUDY (1-4 units) |
Contract
Course |
Must use
form to register |
Consent of instructor required |
Independent Study is an individualized program of study taken for a letter grade with a Hutchins faculty sponsor who is willing to supervise it. A student consults with a faculty member on a topic, develops a plan of study, including number of units, project outcomes, number of meetings with the faculty and deadline for completion. A Project Contract is submitted to Admissions and Records after the beginning of the semester and before the last day to add classes. May be repeated for credit. Prerequisites: LIBS 302 and consent of instructor. [top] |
| LIBS
480: TEACHING ASSISTANT - SEMINAR FACILITATION
(1-3 units) |
Contract Course |
Must use form to register |
Consent of instructor required |
This course provides studetns with
an opportunity to enhance their facilitation
skills through serving as a seminar leader
in large lecture/discussion courses. Requires
the consent of instructor. [top]
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| LIBS
499: INTERNSHIP (1-5 units) |
Contract
Course |
Must use
form to register |
Consent of instrucotr required |
All students develop an internship working outside the classroom. Students also prepare a portfolio project based upon a larger topic implicit in their internship. They participate with other interns in an internship class once a week to discuss their internship experience and issues related to the larger society. Grade only. [top]
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CORE
A OFFERINGS
|
Courses in this area address the
following issues and themes:
- Problems
and possibilities before us at the start
of a new century as we move toward a
genuinely global culture.
- The relationship between the
individual and all kinds of human groups,
the context of human interaction in which
the individual finds many of the dimensions
of the self.
- Ideas, attitudes, and beliefs
that flow between society and the individual
and which result in the political and
economic arrangements that make life-in-common
possible.
- Historical and economic developments,
geographical facts, analytical models,
and moral questions necessary to understand
the dynamics of individuals and their
communities.
- Moral and ethical underpinnings
of our patterns of social interaction
and how these affect issues such as race,
gender, and class.
- Questions concerning whether
the goals of human dignity, political
justice, economic opportunity, and cultural
expression are being enhanced or destroyed
by specific historical developments,
cultural practices, economic arrangements,
or political institutions. For example:
How, in the face of that compelling force,
do we shape the kind of society that
values and protects the individual? How
do we become the kinds of individuals
who understand and help foster the just
society?
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| LIBS
320A.1: QUEST FOR DEMOCRACY (3 units) |
|
In this course we study how a quest
for democracy is manifested first in English
and Spanish America and later in the relations
between the United States, Mexico, Cuba and
Puerto Rico. We explore the nature of democracy
self-determination, colonialism, and the
classification of citizens according to class,
gender and culture. For this explorations
we use theoretical tools such as economic,
discursive (the intersection between power
and language) and patriarchical analyses
of power relations and their impact on human
bodies in the present.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
| LIBS
320A.2: CONTINENTAL AMERICANS (3 units) |
|
This is a study of the political status given to human bodies in different epochs in the American Continent. The objective is to increase our understanding of the struggles for economic, human and civil rights dating back to Colonial Continental America and the overthrow of the European Monarchies, which led to the birth of democracy in the Western Hemisphere. A second objective is to learn how these same struggles have taken different forms throughout history and how they continue to take shape in our lives today.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
| LIBS
320A.3: SHOP 'TIL YOU DROP (3 units) |
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This seminar will examine interdisciplinary perspectives on consumer culture from the late 19th century to the present. We will explore different theories of consumption; the major structures of consumerism such as credit, packaged goods, branding, advertising, and retail spaces; and the lived experience of consumer culture in terms of its impact on our families and communities, our environment, and ourselves. Special attention will be paid to how race, gender, age, and class have affected the experience of diverse peoples in American consumer culture. As seminar participants, we will also reflect about our own place in the American political economy, examining our own experiences in comparison to those we have read about in seminar and considering the possibilities for recovering from “affluenza.”
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
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CORE
B OFFERINGS
|
Courses in this area address the
following issues and themes:
- Science
and technology and their relationships
to the individual and society.
- The methods of science and
important information that has been discovered
through their applications.
- Some of the crucial issues
posed by our cultureís applications of
science and technology and, adversely,
the cultural consequences of a materialist
world view.
- How science and technology
impact all areas of our lives.
- How, for better and for worse,
as inheritors of the Scientific and Industrial
Revolutions, we intervene in our material
world technologically.
- Scientific aspects of particular
social issues, or an issue of personal
concern, the sense of science as a social
endeavor.
- The values implicit in a particular
technology.
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| LIBS
320B.1: GLOBAL FOOD WEB (3 units) |
|
This course will provide a multi-faceted analysis
of the system of food production and distribution
in the modern world, and its implications for
both human and environmental health. We will
explore the global food web through a variety
of lenses, including economics, politics, health,
ecology, chemistry, aesthetics, and psychology.
We will examine the consequences of industrial
agriculture and developments in genetic engineering,
as well as the recent emergence of farm to school
projects in our local community, which are building
stronger connections between schools and local
farmers, and integrating food and gardens into
all aspects the curriculum. We will explore a
variety of perspectives on diet and nutrition.
The course will include a service learning or
community-based research component, and will
hopefully add new meaning to the notion that “you
are what you eat.”
Prerequisite: LIBS
302 LIBS 101-202
[top] |
| LIBS
320B.2: MACHINE AS METAPHOR (3 units) |
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Course description to be added at a later date.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
| LIBS
320B.3: BODIES IN PERSPECTIVE (3 units) |
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In this class, we will carry out an interdisciplinary examination of the body, starting with basic anatomy and physiology and then moving on through art, politics, brain function, etc. to philosophical and religious arguments about mind-body, spirit-flesh distinctions, and to our society’s obsessions with diet, exercise, and body image. By the end of this course, we should all attain greater understanding of the human body and a sense of acceptance and respect for our bodily differences.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
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CORE
C OFFERINGS
|
Courses in this area address the
following issues and themes:
- Why humans create literature,
epics, poetry, drama, and other literary
forms, the visual arts, languages, architecture,
music, dance, the writings of philosophers,
and the thought and literature of the
worldís religions.
- The inner world of creativity
and individual values as well as the
questions about how we arrive at a sense
of meaning and purpose, ethical behavior,
and a sense of beauty and order in the
world.
- Deep and significant aspects
of ourselves which may otherwise remain
obscure and therefore troubling.
- Important questions - and
occasional answers - about life and death,
about feelings, and about the ways we
see things.
- The metaphors that help us
recognize and become aware of the interrelations
of all the areas of inquiry humanity
has developed.
- Images from which we may learn
about our reality or realities of other
times.
- Creative and intuitive thinking
processes that lead to an understanding
of the aesthetic experience.
- How the arts can be an end
in themselves, as well as a means to
an end.
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| LIBS
320C.1: THE CONGO (3
units) |
|
In "Flash of the Spirit," Robert Farris Thompson describes the brilliance of the Kongo worldview. "If you know where you are going, and where you are coming from, you can decorate the way to other worlds—the road to the ancestors and to God; and your name will merge forever with their glory." Despite Western misconceptions of Kongo as mysterious, dark, and primitive, this region, divided during colonial rule into several countries, was once a great spiritual, political, and artistic kingdom whose beauty persists in Africa and America today. In this class we will examine constructions and representations of the Kongo region, the brutal colonization of the present-day regions of Angola, Cabinda, the Republic of the Congo/Democratic Republic of the Congo, and the political aftermath of colonialism, including the diaspora of belief and art in America. We will also explore our own "regions" of discomfort with what we long ago learned was "strange" or unfamiliar, and discover that such insights may be transformative: "the man who is in touch with his origins is a man who will never die" ("mu kala kintwadaya tubu i mu zinga.")
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
| LIBS
320C.2: EARTH ART (3 units) |
|
Earth Art is a hands-on class which explores the use of natural materials in artistic processes, examines the use of artistic methods and media to understand and describe natural processes, and investigates earth-based art forms from various artists. The course requires the purchase of several books about various artistic methods and nature journaling, the purchase of a variety of art materials, creation of several earth based art projects, and at least one REQUIRED WEEKEND FIELD TRIP. You will also be required to spend at least 30 minutes 10 different times journaling in natural settings to create a nature journal.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
| LIBS
320C.3: MEMOIR, WRITING & PLACE (3 units) |
|
In this course we will consider various examples of memoir writing, particularly in terms of the author’s use of place, that is, of a specific local as it relates to, or does not relate to, the writer’s depiction of his or her life story. We will want to ask questions such as: How has place shaped both the writer’s understanding of his or her world and, in turn, the issues themetized in the respective life story? How might the same environment be understood otherwise, say, in terms of a difference in gender, race, ethnicity, or religion on the part of the writer? How has our sense of place our coming from a particular locale shaped our reading of the memoir? At the same time, we will be writing and workshopping our own life stories, looking for ways to develop and strengthen our craft and voices as writers. Furthermore, we will take at least two fieldtrips one to an urban locale, another to a nature preserve in Sonoma County and think about these places from our point of view as writers shaped by our background and world views.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |
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CORE
D OFFERINGS
|
Courses in this area address the
following issues and themes:
- Reality as a result of many
factors, some of them psychological,
some biological, some philosophical,
some social and the many aspects of being
or existence as reaching from the physical
to the metaphysical.
- Consciousness as, somehow,
the result of our gender, our ethnicity,
our health, the ways in which we were
reared, the social stratum in which we
find ourselves, the beliefs that were
engendered in us, and other factors.
- Consciousness as occurring
across a spectrum of potentials (conscious/unconscious,
rational/irrational, egocentric/transpersonal,
masculine/feminine) that influence our
personal and collective realities.
- Human needs at various levels
of emotional, religious or spiritual,
intellectual, and transpersonal or universal
disciplines, practices, and experiences.
- One
of the major concerns of people in all
places at all times has been: what are
the components of being human?
- The range of answers which
are sometimes perplexingly inconsistent
with one another, and yet their very
divergence itself suggests something
about the powerful complexity of the
human individual.
- The study of biology as it
relates to psychology, and consciousness
as it affects and is affected by perceptions
of reality.
- Meaning-making as a necessary
human achievement, and identity formation
as it is understood in the light of developmental
psychology and the nature-nurture controversy.
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| LIBS
320D.1: THE MAN CLASS (3 Units) |
|
In "Men Speak Out," R.W. Connell suggests that the world is presently undergoing an "ethnographic moment" of masculinity. The oppressive expectations attached to masculinity, male violence, and constructions of gender are increasingly narrated and challenged. This "revolutionary honesty," as John Stoltenberg describes it, is "a gift to anyone who yearns and works not only for equality and justice for women—but for men, too, as well as for human rights, non-violence, and an end to so much of the unnecessary suffering of the world." Yet what are the implications of privileging "a dominant and oppressive class that has, arguably . . . been the primary focus" of political, social, and academic representation? What are the unique contributions of male leadership globally? Can such leadership be distinguished in terms of nationality and gender? This class will examine the construction and privileging of male subjects, the dichotomy of Western and non-Western male leadership, and the possibility of overcoming the prison and privilege of "being a man."
Prerequisite: LIBS
302 or LIBS 101-202
[top]
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| LIBS
320D.2: DEATH, DYING & BEYOND (3
units) |
|
"I don't want to achieve immortality
through great works. I want to achieve it
through not dying." - Woody Allen.
Confronting death can bring
us fully to life. This course will examine biological
dying, the sociology and psychology of death,
and the spiritual dimensions of passing beyond
through literature, art, film medicine, guided
meditations, and humor. Written and experiential
assignments will engage our analytic, creative,
and spiritual minds. This course may be emotionally
challenging. Field trips to be arranged.
Prerequisite: LIBS
302 or LIBS 101-202
[top]
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| LIBS
320D.3: PERSONAL GEOGRAPHIES (3 units) |
|
In this class, we will look at the connections between the personal and the geographic. This course will examine the self and our personal histories using the ideas, tools, and methods commonly used in geography – including mapping, coring, pattern analysis, and spatial analysis. This class will use both writing and artistic techniques to examine ideas of space and place, and to create a series of maps of our interior and exterior worlds. We will also use geomorphic process concepts like erosion, sedimentation, and geologic history as metaphors to examine the internal and external forces that have molded us into the person we are. We will seminar on these ideas and create weekly projects to share in class. A paper and/or project, which will be largely autobiographical, will be required at the end of the semester. At least one weekend field trip may also be required.
Prerequisite: LIBS
302 or LIBS 101-202
[top] |