Psy
303. Person in Society:
Constructing a
Multicultural Society in the United States
FILMOGRAPHY
The Wedding Banquet [VHS videorecording]
The Samuel Goldwyn Company presents a Central Motion Pictures Corporation
Production.
FoxVideo,
1994, c1993. (108 minutes)
SSU Call
No.: VHS 1987
Credits: Producers, Ted
Hope, James Schamus and Ang Lee ; director, Ang Lee; writers, Ang Lee, Neil
Peng and James Schamus.
Cast: Ah-Leh Gua, Sihung
Lung, May Chin, Winston Chao, Mitchell Lichtenstein. (Click
here for a complete Cast List)
Summary: Successful
New Yorker Wai Tung and his partner Simon are blissfully happy except for on
thing: Wai Tung’s conservative
parents are determined to find a nice girl for him to marry. To please them—and to get a tax
break—he arranges a sham marriage to Wei Wei, an attractive artist from
mainland China in need of a green card.
When his family swoops into town for the wedding, the event turns into a
traditional Chinese extravaganza that highlights the encounter of Chinese and
American, gay and straight, and older and younger generations. (Adapted from the DVD case.)
Other films by Ang
Lee include Eat, Drink, Man Women;
Crouching Tiger, Hidden Dragon;
and Sense and Sensibility.
ISBN 0793981700
SSU Call No. MRES 663
Credits: Directed by Mira Nair.
Cast: Naseeruddin Shah, Lillete Dubey, Shefali
Shetty, Vijay Raaz, Tilotama Shome, Vasundhara Das, Parvin Dabas, Kulbhushan
Kharbanda, Kamini Khanna. (Click here for a
complete Cast List.)
Summary:
Ria Verma (Shefali
Shetty) is about to marry and move to America in a traditional arranged
marriage. Her parents are staging a ceremony which brings the extended family
together for four days of festivities.
There are many relationships and subplots involving members of this
group. One of the more touching is
the upwardly mobile wedding planner, Dubey (Vijay Raaz), whose interest in the
possibility of marriage for himself offers many glimpses into the life of the
servant class. The father
(Naseeruddin Shah) struggles to manage the arrangements for the affair while
attending to the needs of his children, nieces, and other friends and
relatives; this is the thread that ties this whole domestic comedy-drama
together.
Other films by Mira
Nair include Mississippi Masala
and Vanity Fair.
A New
Line Cinema release in association with Majestic Films and American Playhouse
Theatrical Film; an American Zoetrope-Anna Thomas-Newcomm production.
New Line
Home Video ; Turner Home Entertainment, 1995. (121 minutes)
SSU Call
No.: VHS 2790
Credits: Written by Gregory Nava & Anna Thomas ;
produced by Anna Thomas ; directed by Gregory Nava. Director of photography,
Edward Lachman; editor, Nancy Richardson ; production designer, Barry Robison;
folkloric music score, Pepe Avila; orchestral music score, Mark McKenzie;
executive producers, Francis Ford Coppola, Guy East, Tom Luddy, Lindsay Law.
Cast: Jimmy
Smits, Esai Morales, Eduardo Lopez Rojas, Jenny Gago, Elpidia Carrillo, Enrique
Castillo, Constance Marie, Edward James Olmos. (Click
here for a complete Cast List.)
Summary: The three-generation saga of the Sanchez
family is told by the eldest son (Edward James Olmos). From the beginnings of his
father's journey from Mexico to California in the 1920s, to his brother
Chucho's (Esai Morales) tragic rebellion of the 1950s, to the stark realities
of modern day life, the struggle to live the American dream is sometimes
darkened but never diminished for Paco Sanchez and his family. The film illuminates many varied
strands in the drama of Mexican-American family life. (Adapted from the cassette case.)
ISBN 0780607678 :
ISBN/ISSN 9404341523
The
Color Purple [VHS videorecording]
Warner
Brothers.
Warner
Home Video, 1985, c1991. Based on
the Pulitzer Prize-winning novel by Alice Walker. (154 minutes)
SSU Call
No.: VHS 2575
Credits:
Executive producers, Jon Peters, Peter Guber ; producer-director, Steven
Spielberg ; screenplay, Menno Meyjes.
Cast: Whoopi Goldberg,
Danny Glover, Adolph Caesar, Margaret Avery, Rae Dawn Chong. (Click here for a complete Cast List.)
Summary: The film transforms Alice Walker’s character study of
transformation and redemption presented as a diary written in authentic dialect
into a complex but illuminating saga of an African-American family’s
challenges and triumphs. An uneducated woman living in the rural
American south was raped by her father, deprived of the children she bore him,
and forced to marry a brutal man she calls "Mister." Her tragedy is transformed by the
friendship of two remarkable women, with whose help she acquires self-worth and
the strength to forgive. (Adapted from the SSU Library description.)
ISBN 0790703270
Lives in Hazard [DVD videorecording].
An Olmos Production of an
Archipelago Film.
(Documentary
on the making of Edward James Olmos’ American Me, available on the DVD version of
the film.)
Universal
Studios, c1993. (60 minutes)
Credits: Directed
and Produced by Susan Todd & Andrew Young; Editor, Jonathan Oppenheim;
Co-Producers, Nicholas Athas & Daniel A. Haro; Camera, Adnrew Young; Sound,
Susan Todd; Executive Producer, Edward James Olmos.
Summary: American
Me was the directing debut of
Zoot Suit star Edward
James Olmos. It traces the career
of Santana, a youth from the streets of East Los Angeles, where much of the
movie was filmed. Santana becomes
a leader of the Mexican Mafia while incarcerated in Folsom Prison. When he returns to those streets, he
finds himself trapped by his past and the imperatives of life in the
barrio. However, Olmos has
suggested that this documentary is more useful than the original film because
it documents the world of the real life gang members who assisted in the making
of American Me.
American History X [VHS videorecording]
New
Line Cinema presents a Turman-Morrissey Company production.
New Line
Home Video, [1999], c1998. (119 minutes)
SSU Call
No.: VHS 4716
Credits: Written by David McKenna ; produced by John
Morrissey ; directed by Tony Kaye. Film editors, Jerry Greenberg, Alan Heim;
music, Anne Dudley.
Cast: Edward
Norton, Edward Furlong, Stacy Keach. (Click
here for a complete Cast List.)
Summary: This
is a dramatization of the anger and violence of interracial conflict that is
fomented by elements of society, especially in the prison system. The story focuses on a young man who
falls in with a group of white supremacists after his father is murdered. The
film sometimes strains the limits of credibility in documenting the brutal
consequences of racism, but it offers some important insights into the
distorted logic of white supremacist thought. (Adapted from the SSU Library
description)
ISBN 0780625129
ISBN/ISSN 794043471537
The
Color of Fear [VHS videorecording]
SSU Call
No.: VHS 2209/MRES 825
Credits: Producer
and director, Lee Mun Wah; co-producer, Monty Hunter.
Summary: Eight
North American men of different races talk together about how racism affects
them. This film offers some deep,
empathic insights into the causes and consequences of racism, including the
extent to which the wounds of racism are often inflicted unconsciously.
(Adapted from SSU Library description)
Not For Ourselves
Alone [VHS videorecording]:
the story of Elizabeth Cady
Stanton & Susan B. Anthony / a Florentine Films production ; [producer]
WETA ; a film by Ken Burns and Paul Barnes ; written by Geoffrey C. Ward ;
produced by Paul Barnes, Ken Burns.
American Lives Film Project, Inc. ; [Alexandria, Va.] : PBS Video [distributor] , c1999. (2 parts, 90 minutes each)
SSU Call
No.: VHS 3457
Credits: Cinematography, Buddy Squires, Allen Moore, Ken Burns ;
editor, Sarah E. Hill.
Performers: Sally
Kellerman, narrator; Ronnie Gilbert, Julie Harris, voices.
Editorial Review
(Amazon.com)
Feminism is a problematic word: to
some it means the ongoing struggle for the equal rights of women; for others
the connotations are derogatory, the word conjuring images of emasculating
woman. And for still others, mostly the younger generation who grew up with
mothers in the workforce, the term is outdated, referring to a movement whose
relevance is diminishing. Postfeminism, antifeminism, the feminist
backlash--these terms are wielded with little understanding of the context in
which the feminist movement was born. Luckily, Ken Burns and Paul Barnes have
created this superb documentary, Not for Ourselves Alone: The Story of
Elizabeth Cady Stanton and Susan B. Anthony, to remind us of the roots of the women's movement and to
show just how far we have come in such a short period of time.
In the 19th century, Susan B. Anthony
had few choices for her life: to live with a husband as "a doll or a
drudge" (marry a poor man, she explains, and you spend your life doing
housework as a drudge; marry a rich man, and you spend your life prettying
yourself up and looking like a doll), to work as a schoolteacher, or to live
with her family as an "old maid." And while she chose the life of the
spinster to retain her independence, she didn't resign herself to a life of
leisure. Born into a Quaker family devoted to abolition, Anthony championed the
reform movement and dedicated herself to the suffragette life. In contrast,
Elizabeth Cady Stanton married and had many children, yet this did not stop her
from seeking the vote for women. A friendship with Lucretia Mott sparked a
desire in this abolitionist to work for the cause of women, and Stanton and
Anthony eventually teamed up to fire up the revolution of women in the United
States.
This documentary, in the now-well-known Burns style--actors reading the works of Stanton and Anthony, archival footage and photos, commentary from historians--highlights not just the work of these women, but their friendship and their lives. Stanton and Anthony didn't live long enough to cast votes themselves, but their legacies and their struggles live today. Not for Ourselves Alone is a stunning testimonial to what's been accomplished and brings to life the two women to whom every female in the U.S. owes a tremendous debt. --Jenny Brown
Signs Out Of Time: the story
of archaeologist Marija Gimbutas
[VHS videorecording]
A documentary by Donna Read
& Starhawk; narrated by Olivia Dukakis.
Belili Productions (2003)
(60 minutes)
Summary: The
dramatic story of renowned archaeologist Dr. Marija Gimbutas has never been
more timely. Her work on the
Neolithic cultures of Old Europe, (6500-3500 BCE), reveals evidence of
peaceful, woman-honouring, Goddess-worshipping, and egalitarian civilizations
that existed thousands of years without war.
“This was a
long-lasting period of remarkable
creativity and stability, an age free of strife. Their culture was a culture of art.” – Marija
Gimbutas
Determined and
courageous, Marija Gimbutas stayed true to what she saw—amidst ridicule,
criticism and controversy. If her theories
are correct, their reverence for the earth, peace and cooperation are the very
underpinnings of European civilization itself. (From the cassette cover.)
Mindwalk [VHS videorecording]
Atlas
Production Company ; in association with Mindwalk Productions ; director,
Bernt Capra ; producer, Adrianna AJ Cohen ; writers, Bernt Capra, Fritjof
Capra, Floyd Byars.
[Hollywood, Calif.]: Paramount Pictures,
[c1991]
(110
minutes.)
Note Originally produced as motion picture in 1990.
Based
on the book by Fritjof Capra entitled The Turning Point.
SSU
Call No: VHS 4295
Cast: Liv Ullman, Sam Waterston, John Heard
Summary: On the impressive island-abbey of Mont St. Michel, some very
dissimilar vacationers are caught up in the spontaneous and life-affirming
sweep of self-expression and new ideas. (SSU Library description.)